Quick and Easy Digital Art

Most people like art of some kind or other – watercolours, oils, abstract, line drawing; the list goes on and on. But not all of us can paint, though I do believe anyone can draw! Often the artistic-side of us gets minimised at school as we get older – the focus is more on “practical” subjects. I think that’s a real shame and stems from a misunderstanding of how important creativity and art is to each of us.

Well, thanks to the digital photograph you can tap into your long forgotten arty side! Anyone can be an artist! I use a few cool tools to help me create digital art, the main ones being; Snap Art, Topaz Simplify and Filter Forge. Of course the glue that brings everything together is Photoshop (or Photoshop Elements). I’m going to focus on the least expensive one out of these three – Topaz Simplify (TS). TS comes as part of a suite of plugins from Topaz Labs, these you can buy either individually or as part of the complete package. I’m pretty sure that once you have tried a few you will end-up wanting them all!

Anyway for now, I’ll just give you a quick tour of Simplify and show you want can be done on even the most basic of images. Download a trial here and once its installed it will be available from your plugins menu (under Filters in Photoshop). Just to show that it works well on any photo, I’ve picked one I took with my iPhone. Here it is unedited:

IMG 6677

Not to bad out of the can!  Lets see what we can create in Simplify…

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When the plug-in starts you will get three areas displayed; on the left are some quick and easy presets, with a preview of what the changes will look like. The middle section is your image with either before or after (preview). I like the full-screen version you can see here but you can also see a split view if you prefer. The right-hand side is where you can alter low-level controls; these can work globally or locally (as you paint in the changes you want).

On this photo I settled on the Oil Painting preset and painted-out some of the effect in the foreground using the Local Adjustments window.  I did this, as I wanted some more detail back into the rocks.  Here is a close-up of the window:

Screen Shot 2013 02 04 at 1 26 19 PM

Here is the final result – achieved in just a few minutes!

IMG 6677 2

Download the trial and have a go on a few of your photos. If you do decide to buy it use the coupon code “stewartbaird” to get a nice 15% discount!

Finally, remember to post your final results to the Topaz group on Flickr for everyone to see. You can find it here.

Here’s one more photo I updated with Topaz Simplify, making a more graphic or cartoon look:

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After -

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Photo Tools

Breaking news… Photoshop CS5 support just released..

OnOne Software’s PhotoTools 2.5 (PT) is a plug-in extension product for Adobe Photoshop.  Where other plug-ins are often more focussed on solving specific problems (such as noise, color and exposure); PT offers a huge range of stackable treatments.


PT comes with a base set of effects and enhancements; you can extend these by creating your own or downloading new ones.  One thing you’ll notice with PT is how fast operations are, this enables you to not only check effects in the small review window but also apply them to your image directly.  I find that this “what if” approach is the best way to gauge how an effect will look on the photo.  Simply undo it if the results are not quite what you expected.

Effects can be either applied across the who image (and then blended-out with the fade slider) or painted onto the surface for maximum control.  Inside Photoshop you can either use layers to apply and mask a series of effects or do it all within the PT user interface.    This is where the real power comes from; the ability to stack and adjust a number of effects without leaving PT.  In my case I find that I apply 2 or 3 effects in this manner.  For example, color adjustment and then a simple border applied.

Some of my favourite, “go to” effects include the holga black and white or color.  Using these can really add some LOMO type punch to the image.  Again, fading will give that added control over the final result.

As you can imagine, finding an effect could be a real chore, given the size of the library.  PT makes this easy by allowing to search, browse by category or through keyword sets.

Originally I tried the free version of PT but then had to get all of those extra effects that come with the full version.  If you need to get your toe in the water, then the free version is a great way to do that.

Here’s an example of the before and after on an image.  On this one I used “tootsie pop” and some vignette.

 

Give PhotoTools 2.5 a try today!

 

OmniDiskSweeper

I only review products and services if own and use them.

OmniDiskSweeper is another great product from the team over at Omni Group.  This time it’s a simple utility for uncovering disk waste on your Mac.

Have you ever wondered where your disk space has gone to?  That massive hard drive on your laptop; you know the one that you thought would never be too small.  After a truck-load of RAW images have been downloaded, you can find that your down to the free space “danger level”.

Typical the space-hog culprits are media files, temporary files or cached content.  More to the point – they can be anywhere!  Here’s a blurred-out image from the UI; you can see where all my space is!

OmniDiskSweeper

OmniDiskSweeper

OmniDiskSweeper helps by performing a complete sort of all files on your disk drive; largest to smallest.  Pick the drive and hit “Sweep”. OmniDiskSweeper is a good CPU citizen, too.  It can run happily in the background while you continue working.

In my case I find that my personal folder is often where the unwanted files reside; so I navigate to that folder first, speeding-up the process.  As of version 1.7 the application is free and you can also delete unwanted files directly from the interface.

Download this little application and give it a go- you’ll be surprised what it shows-up!

Conclusion

A must for any Apple Mac user.

Imagenomic – Noiseware

I was talking the other day to a friend about this great product that helped to reduce noise in my photos; he had no idea what I was on about.  Helpfully I explained that “its that fuzzy stuff you see on photos sometime, often on night shots”.

Noiseware is the best noise reducing application I’ve found for tackling the problem of noisy images.  Typically, noise (either color or luminance) is an issue for photographs taken at high ISO settings.  Depending on your camera “high” can mean anything from 400 ISO upwards.  On my Canon 7D, I’ll happily shoot at 3200 ISO with no major noise issues but even then excessive post-processing can bring in some noise back into the photo.   I’m often getting excessive!

I’ve opened an image into Noiseware.  See the two images below for the full-size versions.

Most photo management tools (such as Adobe Lightroom or Apple Aperture) have built-in noise reduction that you can apply to these troublesome images.  I use Aperture and I find the noise reduction is pretty good but fairly limited (as compared to a full-fledged noise reducing tool).   There are three things that really impress me about Noiseware: the ease of use, the speed and the price.  The price of Noiseware is a real breakthrough and at under $50 there’s no excuse for not applying top quality noise reduction to your images.

On the speed side, Noiseware is so fast that when I first ran it, I was seriously wondering if it had done anything at all!  The other great thing about having a speedy noise reducer is that you can quickly apply various presets to check on their results, without dragging the national grid to its knees!

Speed is all well and good but what about the results?  Noiseware can effectively reduce noise in the image without altering the underlying photo.   (Free tip: You can apply excessive noise reduction on purpose to get a cool effect; then blend back in the original using Photoshop).

In most cases, I launch Noiseware from Photoshop after I’ve finished HDR work on an image.  Also, applying some pseudo effects like Topaz Adjust can introduce some noise, too. Noiseware to the rescue… And if you’re wondering, it is 64-bit Windows and with an update for Mac coming-out soon.

Normally, I find that the default presets work fine for most images; you can always adjust them and save as your own presets if you want.

You can try every noise reduction tool on the market (Adobe CS5 is pretty good these days, too) or just jump right in and get Noiseware.  I figured that if its good enough for Trey Ratcliff, then its good enough for me.

By the way the image is a night shot of a New Zealand rugby player called Ma’a Nonu.

The raw image:

The noise reduced one:

Focal Point 2

I only review products and services if own and use them.

FocalPoint 2

FocalPoint 2 from OnOne Software is plug-in that allows you to selectively control and enhance focus on your image.  You can achieve with FocalPoint in 2 minutes that would take a whole lot of fiddling about (technical term) in Photoshop.

As photographers we aware that each lens (through a combination of length, optics and aperture) have different characteristics.   Unless your pockets are pretty deep, you’ll find it hard to stock a library of lens that meets every requirement.  Lens rentals can help with this.

Another alternative is to post-process the image; there is where FocalPoint comes in.   You can either launch FocalPoint from within your digital asset management tool (Apple Aperture or Adobe Lightroom) or within Photoshop.

In my example below, I’ve opened-up a photo in Photoshop and then started to refine the focus.

FocalPoint presents the image in a preview mode with default settings applied.  Here I selected a Canon 50 mm 1.2 prime lens and then reduced the blur to a more reasonable level.  There’s two features that really make the process work; the ability to selectively control focus of an area with a “focus bug” and the use of the paint tool.   In my example I dropped a focus bug onto the boy’s face (my son by the way) and then used the paint tool to blend in the surrounding area; this combined with the level of feathering can accurately simulate the behavior of an actual lens.

Of course, you can also use the plug-in to extend the focus into interesting areas; for example to emulate the popular tilt-shift lens behavior.

I used it on this photo to create a more subtle effect, adding a little Vignette to also help bring focus into the face.

Of course this plug-in is not meant to be a replacement for the “real thing” but it does open the access to a huge range of effects with focus.   Once you get a look you like, you can save it as a preset.  FocalPoint comes with a number of built in presets to get you started and these can be access directly without starting the full window.

This plug-in is a definitely work a look and a free trial is available from OnOne Software.


Topaz Adjust

Remember to use the code “stewartbaird” at the checkout to get 15% of Topaz Labs plugins!

Topaz Labs make some of greatest tools out there I own and use these ones:

Topaz Adjust 4
  • Single-image HDR capabilities
  • Adaptive color processing for a wide range of color effects
  • Adaptive exposure control for a visually pleasing tone-mapped effect
  • Highlight and shadow protection – helps reveal lost detail.
  • Built-in noise reduction for basic noise elimination
  • Over 30 presets for an even faster and more creative workflow
Topaz DeNoise 5
  • Powered by IntelliNoise™ to optimally remove noise and recover detail.
  • The fastest and most effective way to remove high ISO noise.
  • Shadow tone restoration to correct image black levels.
  • Dual-directional debanding technology.
  • Removes up to four stops of noise naturally and effectively.
  • Sharpens colors and edges.
  • Double increase in processing speed.
  • Twice the maximum image size capabilities.
Topaz Simplify 3
  • Advanced size-based technology allows you to suppress / eliminate select details.
  • Color management for color removal and color enhancement.
  • Generate or reduce lines, edges and shading.
  • Edge detection for control over edge reduction and enhancement.
  • Separate control over image base and image edges for complete creative control.
Topaz Detail 2
  • Ability to selectively enhance image details.
  • Micro-contrast tools for fine detail enhancement.
  • Built with a basic blur reduction tool to help reverse minor instances of blur.
  • Speed boost for faster processing times.
  • Unique color effects via advanced color processing.
  • Advanced tone adjustment features.
Topaz Clean 3
  • Ability to restore color and detail (obscured by natural haziness) to image features.
  • Micro-contrast tools for fine detail enhancement.
  • Built with advanced deconvolution technology to help in reversing the effects of blur.
  • Estimate blur tool for unknown / complex blur types.
  • Targets four types of blur: generic, out-of-focus, straight motion and unknown.
  • Easily integrates into any part of your post-processing workflow.
Topaz ReMask 3
  • Color decontamination technology to help solve color bleed issues
  • Better hair extraction technology
  • Refining Toolset for fine-tuning masks and foreground color
  • Ability to handle certain types of transparent objects
  • Color selection brushes to handle complex objects such as trees and veils
  • Menu options to save and load tri-map and mask, allowing you to save and re-start partial results
  • 2-screen or 4-screen views

I’ve got a review here on how Adjust, Simplify and Clean compare.

Photomatix Pro

Use the coupon “stewartbaird” at the check-out and save 15%

High-Dynamic Range (HDR) photography is the process where multiple exposures are combined into a single, composite image.  Creating HDR range images has been simplified greatly by the use software products such as HDRsoft’s Photomatix.  There are a number of similar products on the market-place but Photomatix is generally regarded as the best application around; it covers both Windows and Mac platforms as well.

I tried most of the HDR applications and tools out there (including within Photoshop CS4) until finally settling on Photomatix.  Initially I was drawn to the ability to launch Photomatix directly from within Apple Aperture.  Here I am applying tone mapping to a single RAW file to create a pseudo-HDR image:

Eventually I upgraded to the full version of Photomatix Pro, as that comes with the ability to batch process multiple HDR’s; I real boon for cranking through those images quickly.

I’m not going to cover a “how to” here; there enough great tutorials out on the Web already.  Trey Ratcliff’s one is a great practical walk-through; he also includes the extra work required within Photoshop to get that final finish.  You can find it here.

Photomatix can quickly create an HDR for you “out of the box” by opening open the multiple exposures and applying the default preset.  This makes it very easy for the newbie to HDR to get going and begin to explore the process.  In my example above I opened-up a single file; the controls are the same for your multiple exposure HDR.

There are a lot of options to adjust but Photomatix makes it easier to user by hiding these initially from view; you can always open the extra settings on color etc once you get more acquainted with the application.  I typically adjust only these controls:

-       strength (I take it up to 100% as I’ll blend-out later in Photoshop)

-       Color saturation – minor tweaks here or else it will get a bit surreal!

-       Micro-contrast – normally increasing slightly to add some punch

-       Smoothing – if I do anything here it is to increase slightly

Occasionally  I’ll adjust the white and black balance as well.  In most cases this all takes only a few minutes and then back into Photoshop for some final masking and adjustments.  I love the speed and simplicity of all this.  I’ve never experienced crashes or hangs; I wish I could say the same for Photoshop and Aperture!

The best way to get a good sense of what can be done through the application is to download a trial from HDRsoft.  Depending on your needs there is a Lite version, plug-in versions or the full Pro application. There’s a helpful breakdown of each version here.  The folk at HDRsoft are great to deal with, too and you can always upgrade your version if start with the Lite version.

Remember to use the coupon code “stewartbaird” to get your 15% discount if you choose to buy any of the Photomatix products.

 

Topaz Adjust, Clean and Simplify Review

Topaz Labs make some of the coolest and easiest to use plugins out there for PhotoshopLightroom and Aperture.  In fact using their Fusion product you don’t even need Photoshop to use them directly from within either Lightoom or Aperture.  Of course doing this won’t give you the added benefit of layering effects together.

In this demo I’m going to focus on three Topaz plugins:

Topaz Adjust – used to create dynamic exposure and colour effects

Topaz Clean – used to create interesting edge effects and stylized images

Topaz Simplify – use to create painting type effects, simplifying detail and colours

Usually when I use a plugin I will mask-in or paint-in only the parts I want; I don’t simply pick an effect and “click and go”.  However to keep these examples straightforward I will do exactly that. I want to show you how you can take an ordinary or boring photo and breathe new life into it.  You never know what magic is lying under that dusty old photo!

Below is the sample image I’m going to work with.   It is taken using a basic point and shoot camera, while I was in Chennai, India.   Out of the can I think its pretty uninspiring:

Lets see what we can do with it using these Topaz plugins.   Inside of Photoshop I duplicated the base layer and then launched Topaz Adjust from the Filter menu.   You’ll notice down the side a series of presets; in this example I chose my favourite one; “Spicify” and the clicked Ok.  Right away it looks better:

Sometimes Topaz Adjust introduces extra noise so I went ahead and selected “Use DeNoise” to help clean that noise up.  (DeNoiseis an extra plugin from Topaz and its worth looking at to help with any kind of noise reduction).

Next I’ll try Topaz Clean on the image.   Again I duplicated another layer from the background layer and then opened-up Topaz Clean on it.  Clean works mainly on the edges of shapes to either stylize or flatten. Stylizing the edges works really well on any image that contains foliage, trees and grass.  I selected the “Stylize” preset on my image and clicked Ok.  By the way depending on the size of your image wont see much change unless you’re at 100% or you’ve printed it out. Here’s what it looked like after the Topaz Clean treatment:

Pretty cool, huh?

Topaz Simplify is the last plugin I’ll cover here and it is kind of opposite to Clean in that it removes detail.  This has the effect of making the resulting image look like a painting or cartoon.  Personally, I use it in conjunction with the Art History brush in Photoshop, slowly building-up the image to emulate a painting.  Have a look here for an example of how I did that.  Anyway, this is what the “llll” preset did for me:

Finally, to illustrate a more realistic workflow, I took the Clean and Adjust layers and blended them together (using Normal at 75%).

Here is the final result:

Download the plugins and have a play for yourself!  I started with Topaz Adjust and slowly added each one; in hindsight the package deal would have been better.  Don’t make the same mistake!  My advice is that if you think you’ll get 3 plugins for sure, then just go ahead and buy the complete package.

Remember to use the code “stewartbaird” at the checkout to get 15% of Topaz Labs plugins!

 

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