Peacock Show-off!

The little show-off!  Imagine how it must feel to open-out those lovely feathers.   I was on hand with the 70-200mm f/4 to catch this moment.  I thought of framing the bird closer then normal so focus in on the brilliant blue.  On the post-processing side, I used a little Topaz Clean; it can make feathers and fur very dynamic.  Personally I like to reduce the effect by applying a Gaussian blur to a duplicated layer.

They say that if you fall in love with avian photography you never go back; they have so much variety and life.  A lifetime of chasing them, of gazing on their beauty; no camera can really portray such beauty.

Peacock Show-off

These tools helped me work the magic:

In Need of Repair

Want to know a great combination?  Of course you do!  Well, it is Topaz Adjust, a wide-angle lens and a junkyard car.  There are so many colours and shapes to be found within the decaying body of an old vehicle.  Topaz Adjust works on images what seems close to magic, by opening-up these tonal differences.  In my experience, Topaz Adjust is ideally suited to landscapes and these kinds of still-life’s.  I have used it in portraits but only in a very controlled manner (typically, these means only using it on the eyes or perhaps hair, then masking-in).

This shot is taken with the Canon 10-22 EFS lens attached to my Canon 7D.  It’s such a fun lens in these situations; you can get into those little corners, exploring  every little nook and cranny.  You could use lens correction in either Lightroom or Photoshop but I like the dramatic effect of all these crazy lines.I encourage you to download and try Topaz Adjust for yourself.  In fact  if you were to only buy one plugin, I’d choose Topaz Adjust.  When you do use it, make sure you copy the base layer and then mask-in the effect as you see fit.  I’d have to say that I almost never apply Topaz Adjust without, noise reduction, sharpening or in some cases adding back in some Gaussian blur.

Try the 1-2-3 approaches on your own car (hopefully its in better shape than this one).   Use the widest angle you have the wider you can do the better.
topaz adust sample old car

These tools helped me work the magic:

 

Topaz Adjust, Clean and Simplify Review

Topaz Labs make some of the coolest and easiest to use plugins out there for PhotoshopLightroom and Aperture.  In fact using their Fusion product you don’t even need Photoshop to use them directly from within either Lightoom or Aperture.  Of course doing this won’t give you the added benefit of layering effects together.

In this demo I’m going to focus on three Topaz plugins:

Topaz Adjust – used to create dynamic exposure and colour effects

Topaz Clean – used to create interesting edge effects and stylized images

Topaz Simplify – use to create painting type effects, simplifying detail and colours

Usually when I use a plugin I will mask-in or paint-in only the parts I want; I don’t simply pick an effect and “click and go”.  However to keep these examples straightforward I will do exactly that. I want to show you how you can take an ordinary or boring photo and breathe new life into it.  You never know what magic is lying under that dusty old photo!

Below is the sample image I’m going to work with.   It is taken using a basic point and shoot camera, while I was in Chennai, India.   Out of the can I think its pretty uninspiring:

Lets see what we can do with it using these Topaz plugins.   Inside of Photoshop I duplicated the base layer and then launched Topaz Adjust from the Filter menu.   You’ll notice down the side a series of presets; in this example I chose my favourite one; “Spicify” and the clicked Ok.  Right away it looks better:

Sometimes Topaz Adjust introduces extra noise so I went ahead and selected “Use DeNoise” to help clean that noise up.  (DeNoiseis an extra plugin from Topaz and its worth looking at to help with any kind of noise reduction).

Next I’ll try Topaz Clean on the image.   Again I duplicated another layer from the background layer and then opened-up Topaz Clean on it.  Clean works mainly on the edges of shapes to either stylize or flatten. Stylizing the edges works really well on any image that contains foliage, trees and grass.  I selected the “Stylize” preset on my image and clicked Ok.  By the way depending on the size of your image wont see much change unless you’re at 100% or you’ve printed it out. Here’s what it looked like after the Topaz Clean treatment:

Pretty cool, huh?

Topaz Simplify is the last plugin I’ll cover here and it is kind of opposite to Clean in that it removes detail.  This has the effect of making the resulting image look like a painting or cartoon.  Personally, I use it in conjunction with the Art History brush in Photoshop, slowly building-up the image to emulate a painting.  Have a look here for an example of how I did that.  Anyway, this is what the “llll” preset did for me:

Finally, to illustrate a more realistic workflow, I took the Clean and Adjust layers and blended them together (using Normal at 75%).

Here is the final result:

Download the plugins and have a play for yourself!  I started with Topaz Adjust and slowly added each one; in hindsight the package deal would have been better.  Don’t make the same mistake!  My advice is that if you think you’ll get 3 plugins for sure, then just go ahead and buy the complete package.

Remember to use the code “stewartbaird” at the checkout to get 15% of Topaz Labs plugins!

 

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